sawayama review
Combining crunchy nu-metal guitar riffs with a penchant for early-aughts R&B-pop production in the vein of Aaliyah and ‘NSync, Sawayama sounds like Britney Spears’ Blackout by way of Korn — and it inexplicably works. The album flows beautifully, the production and writing are spectacular, their is not one fault about this album. “Akasaka Sad” is a prescient tune about loneliness and navigating a life that doesn’t look like what we planned for as children. SAWAYAMA appears poised to be one of the best pop albums of the year and sets Sawayama up as a pop force to be reckoned with. Sawayama refines a style the singer has been whittling down for years. It is rare to see a debut album with such a fully realized voice and vision behind it. “XS” delves into capitalistic exploitation, “Comme Des Garçons (Like the Boys)” takes on male privilege, and “Dynasty” sees her unearthing and coming to terms with her childhood and generational trauma. At times, Sawayama puts the mood and content of the song at odds. Sawayama finds a way to combine pop and R&B with nü-metal and fuzzy guitars, electronic production topping it all off. The Lowdown: Although she dropped her first single in 2013, Rina Sawayama really came onto the scene in 2017 with her EP/mini-album, RINA. What if pop, rap, punk, and nu metal were able to coexist from the beginning? “Alterlife,” off her 2017 EP Rina , pushes a mannered dance-pop tune over the edge with outrageous duel guitar leads. Just magnificent! The Neptunes formed the rock project N.E.R.D. “STFU!”, one of the more experimental songs on the album, finds her asking, “How come you don’t expect me/ To get mad when I’m angry” while “Fuck This World (Interlude)”, an R&B ode to Sawayama’s grief over climate change, proclaims: “Sick of watching people taking from the bottom to feed the top.”. “Alterlife,” off her 2017 EP Rina, pushes a mannered dance-pop tune over the edge with outrageous duel guitar leads. Hip-hop heads and nu-metal outcasts rejected the neatness of the mass-marketed singers of the day. If certain pieces of it seem familiar, it’s because some of the building blocks the album is playing with carry the baggage of being beloved by frosted-tipped ’80s babies whose sense of cool was proved passé by rapid advances in tech and culture. Her songs offer tough-love pep talks and observations about the unfairness of the world as it’s currently structured. Now, her self-titled debut, SAWAYAMA, has arrived, released by The 1975’s Dirty Hit Records. What if pop, rap, punk, and nu metal were able to coexist from the beginning? Fans of *NSYNC and Backstreet Boys battled for the run of the MTV music video countdown show in its early years, as did fans on opposing sides of the long-simmering (and overhyped) beef between Britney Spears and Christina Aguilera. Clare Crawley Has Been Liking Tweets About, “That’s a phony guy and I don’t find him funny.”. Hope You Cleaned! “Chosen Family” is slower and more ballad-like, yet as Sawayama’s testament to her LGBTQ+ family, it stands as one of the most powerful and meaningful songs on the album. They are nostalgic melodies that range from pop, electropop. Breaking Moon News: Oscar Isaac Tapped to Play Marvel’s. They can also run deep and dark. © 2020 CBS Interactive Inc. All rights reserved. The Legend of Heroes: Trails of Cold Steel IV, Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan. [Jun 2020, p.98]. The purity of genre was breaking. Vibrant club track ‘Comme des Garçons (Like The Boys)’, which pays homage to gay men, nods to the noughties dance tracks that made Sawayama feel … Sawayama pops thanks to concise writing and daring arrangements. TRL was always a war. The influence of the Y2K pop charts on Sawayama becomes readily apparent early on in the album. The idea that pop from this era can be repurposed into something else that feels fresh and not at all embarrassing or old-hat is still emerging, alongside songs by Ariana Grande, Tyga, and the Black Eyed Peas, built on samples of late-20th-century hits critics never blinked at. “Comme des Garçons (Like the Boys)” bristles at gender tropes and double standards, while “Chosen Family” celebrates the shared experiences that unite the LGBTQ community. Just perfect, no Word Me surpreendeu de uma forma incrivelmente positiva. Her debut album shows a new nostalgic look from the late 90's and early '00s. What’s more, she exorcises her personal demons amid some of the year’s best dancefloor-filling pop. Rappers dabbled in rock as rock stars borrowed cues from hip-hop. The album is a complicated picture of Swayama’s past, present, and future. Sawayama carries a song and a sound for every mood. I picture Sawayama sitting in an imaginary mansion with a grand piano in the foyer, playing the last few notes and sitting still, looking over as she presses the final key just to say, “There you go.” Her ability to craft these moments gives the songs dimension outside of their composition, and in turn, connects Sawayama with her listeners in a way that almost transcends the song itself. It's delicious to hear this album. The album encompasses so many genres — in verses, in choruses, and even just in short moments — that it’s hard to classify as any one thing. Suddenly, the song isn’t just a song; it’s an experience, and Sawayama is there holding your hand. It’s a smart pop record that’s doused in self-awareness but still direct in its assertiveness - and never not compelling. The momentum of the beginning and end of the record is so extraordinary, some of the more tame songs — such as “Paradisin’” — feel downplayed among the radiance of the surrounding tracks. All rights reserved. Sawayama visits moments throughout pop, rock, and metal’s past but rarely settles for simple pastiche. Her debut finds her unapologetic, no topic too big or too bold to discuss. Perspicacious and personal, cool and colossally enjoyable, Sawayama is both a triumph over trauma and a paean to the power of effervescent pop in practically all its forms. What's this? Each track bounces around from sound to sound, never settling down enough to be labeled. We have found a jewel in the storm. The Bad: As a whole, SAWAYAMA has so many dazzling moments that it’s hard to believe it’s a debut album. “Take Me As I Am” added breakbeats and funk guitar noodling to what could pass for a ’90s Max Martin cut. Together, Rina Sawayama and Clarence Clarity balance each other out. Rina’s mini album may have marked her out as one to watch, but SAWAYAMA stakes her claim as one of the boldest voices in pop today. Balancing references with innovation is often a slippery slope, but on SAWAYAMA, the pop and R&B influences of the early aughts gleam alongside more modern genre-mixing, with stellar guitar solos and occasional metal moments crafting songs that exist in their own world. The Verdict: SAWAYAMA pushes the boundaries of what pop music can be, discussing complex and intimate topics with insight and freshness. But nobody relayed the genre’s future uncoolness to the tweenage millennials who imprinted on it: Grimes, Poppy, and now Japanese-British artist Rina Sawayama, who “ … Rina’s perspective as a writer makes Sawayama feel modern. Overrated, the same songs that other artists, nothing new, I don't understand why people like her music, Notable Video Game Releases: New and Upcoming, What to Watch Now on HBO Max and the HBO App, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. 14 Rina Sawayama ’s 2017 mini-album explored life as a young Japanese woman in the UK, within a Britney Spears and NSYNC -inspired bubblegum-pop framework. “XS” matches strummed guitars with a chorus about excess, like a sly mashup of Britney’s “Gimme More” and Justin Timberlake’s “Like I Love You.” On “STFU!” the singer soars over nu-metal riffs. Receives First-Ever Commercial Release: Stream, Rudy Giuliani Caught on Camera Attempting to Seduce Borat's "15-Year-Old Daughter", R.I.P. The ways old sounds clash and combine with modern ideas and production feel new. Digging deep into her family history, the Japanese-British singer looked to come to terms with her past on the album, among other heavy subjects. “The trilogy continues … Soon,” according to a clip he posted to Twitter. based on Followed shortly after … Rina Sawayama Might Make You See the 2000s Much Differently, Adele Brings the Heartbreak (and Torch Songs) With Her to, Adele Sells Jeans That’ll Burn Your Butt and Your Front on, Adam Sandler to Reach for the Stars In Netflix’s.


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