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A cursory glance and the Successor's front panel instantly reveals its muse, the painted, battleship-grey fascia and winged knobs giving it a particular vintage appearance that wouldn't look out of place in a studio from the 1970s. The tracking itself is described by Heritage Audio as 'Oxford' mode — a term derived from the way the two channels' side-chain control voltages are linked in the original SSL stereo bus compressor (there are some partial clones whose design cuts corners with less expensive, less sophisticated side-chain circuitry). If you're looking for a more modern take on diode-bridge bus compression, the Buzz Audio DBC20 is a similarly priced alternative, and higher-priced equivalents include the Neve 33609 and the IGS Audio V8. Sweetwater Sound Switching up an octave to 160Hz will tend to prevent both bass and snare drum from overly dominating compression, enhancing the presence of both those drums in the mix. Learn More. The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A '73-type output stage that Heritage Audio is famous for. This item is in stock and can be dispatched immediately. Both GAP designs are mono, though two Comp-54s can be stereo linked. As you might expect, the Successor can produce superb results when strapped across a guitar bus too, whether you're aiming to smooth out the recorded response of a clean electric or acoustic guitar, keep a clean-to-crunch track from jumping around in the mix or gluing together a layered, distorted wall of sound. However, what impressed me the most was the character and presence that the Successor brought to vocals and, in particular, to a male lead vocal. Based on a classic design and bursting with transformers, the Successor from Heritage Audio combines a vintage sound with serious flexibility. Mastering Essentials Part 3 - How loud should I master? In addition to all this, an external send-and-return loop allows the use of external filtering or other processing to either replace or complement the internal filters, for more precise control. In the Successor, Heritage Audio have employed a pair of matched gain cells to ensure the solid left-right tracking that's essential in a bus compressor to avoid shifts in the stereo image arising from differing amounts of compression in each channel. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. Everything you love about Sweetwater in the palm of your hand. In order to keep the balanced-bridge diodes within this area of their operation, and to reduce the level of distortion arising from their non-linearity, the audio signal entering the gain block needs to be attenuated by around 40dB. Rocking an all-discrete, Class A signal path, the Heritage Audio Successor is well spec'd with stepped controls for easy recall, flexible sidechain filter options, and ultra-fast attack and release times not typically found in vintage designs. Superb though it is at controlling an entire drum bus, the Heritage Audio Successor is also capable of considerable subtlety, and its particularly well-featured side-chain has a lot to do with that. None — but note that its effect can become addictive. At the heart of all analogue compressors sits a voltage-controlled gain-reduction block which, in the case of a diode-bridge compressor, is made up of four diodes, arranged in a diamond shape to form what's called a 'balanced bridge'. This means that the compressed signal then has to be amplified back up to compensate. On the rear, you'll find a four-pin locking XLR connector for the external power supply, the balanced XLR audio I/O and the send and return jacks for the unbalanced side-chain insert loop. It has that smooth diode bridge character, and the two auto release modes are different enough in reaction to cover most material (of course it has hard release settings as well). Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Another modern feature we appreciate is the Blend control for instant parallel compression. For those on a tighter budget, Golden Age Project offer the half-rack Comp–54 and the double-wide 500-series Comp-554. Our expertly trained Sales Engineers are ready to help! Carnhill I/O transformers and balanced and Class A output stages bring the coveted sound of classic British diode-bridge compression to your drum or mix buses. A single, beautifully laid-out PCB carries the twin pairs of input and output balancing transformers and the Heritage Audio '73 Class-A output stages. Excels at master/drum bus compression, but lovely in plenty of other applications. $1,479 Add to Basket: 12% bought SSL Fusion: $2,009: 12% bought Klark Teknik 76-KT: $213: 8% bought Warm Audio Bus-Comp: $719: 4% bought FMR Audio … Recordist. After the meter, which displays the amount of compression on its 0-20 dB scale, comes the Dynamics In switch, and in addition to activating the compression circuitry this also switches on the meter illumination — a very neat alternative to the customary green or red LED. Sweetwater Sales Engineers help you buy music gear with confidence. The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for. The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for. Compression tracking works in "Oxford mode," where, as opposed to summing left and right channels, the loudest signal control compression. Happy customers, one piece of gear at a time! To me, vocal compression is all about enhancing the character and presence of the voice, and the Successor made that an intuitive and extremely rewarding process — it could, potentially, be my new favourite vocal compressor! The views expressed are those of the contributors and not necessarily those of the publishers. As attractive as it might be on the outside, internally, the Successor is a work of art. No project is too big or small, so give us a call today and let's talk gear! When it comes to recording bass guitar, a transformer-balanced preamp feeding a transformer-balanced compressor can do no wrong as far as I'm concerned, and the Successor gave me no reason to change my mind about that. Heritage Audio have taken that approach to build the SUCCESSOR STEREO BUS COMPRESSOR. Though there are two channels, this is a true stereo compressor — so there's a single set of controls, which stretches across the width of the unit in an unbroken line from the all-black meter on the left to the power switch on the right. Used more modestly, there's a sense of an increase in presence and detail — and although this is accompanied by a reduction in punch, the Blend control can be used to counter that, as it allows you to layer the transient punch of the uncompressed dry signal back on top of the solidity and detailed presence of the compressed one. From beginners to rock stars, millions of music makers rely on our Sales Engineers' expertise to help achieve their musical goals. - mastering EQ: Balance, Don ’ t Match allowing vocals to shine through without mudding the track! The Filter Strikes back might be on the outside, internally, the Heritage 's. Release: Selectable from 25mS ( ultra-fast ) to automatic times cookie policy, please check our policy! 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